翻訳と辞書
Words near each other
・ "O" Is for Outlaw
・ "O"-Jung.Ban.Hap.
・ "Ode-to-Napoleon" hexachord
・ "Oh Yeah!" Live
・ "Our Contemporary" regional art exhibition (Leningrad, 1975)
・ "P" Is for Peril
・ "Pimpernel" Smith
・ "Polish death camp" controversy
・ "Pro knigi" ("About books")
・ "Prosopa" Greek Television Awards
・ "Pussy Cats" Starring the Walkmen
・ "Q" Is for Quarry
・ "R" Is for Ricochet
・ "R" The King (2016 film)
・ "Rags" Ragland
・ ! (album)
・ ! (disambiguation)
・ !!
・ !!!
・ !!! (album)
・ !!Destroy-Oh-Boy!!
・ !Action Pact!
・ !Arriba! La Pachanga
・ !Hero
・ !Hero (album)
・ !Kung language
・ !Oka Tokat
・ !PAUS3
・ !T.O.O.H.!
・ !Women Art Revolution


Dictionary Lists
翻訳と辞書 辞書検索 [ 開発暫定版 ]
スポンサード リンク

Mohammad Nor Khalid : ウィキペディア英語版
Lat

Datuk Mohammad Nor Khalid (Jawi: محمد نور خالد), more commonly known as Lat, (born 5 March 1951) is a Malaysian cartoonist. Winner of the Fukuoka Asian Culture Prize in 2002, Lat has published more than 20 volumes of cartoons since he was 13 years old. His works mostly illustrate Malaysia's social and political scenes, portraying them in a comedic light without bias. Lat's best known work is ''The Kampung Boy'' (1979), which is published in several countries across the world. In 1994, the Sultan of Perak bestowed the honorific title of ''datuk'' on Lat, in recognition of the cartoonist's work in helping to promote social harmony and understanding through his cartoons.
Born in a village, Lat spent his youth in the countryside before moving to the city at the age of 11. While in school, he supplemented his family's income by contributing cartoon strips to newspapers and magazines. He was 13 years old when he achieved his first published comic book, ''Tiga Sekawan'' (''Three Friends Catch a Thief''). After failing to attain the grades that were required to continue education beyond high school, Lat became a newspaper reporter. In 1974, he switched careers to be an editorial cartoonist. His works, reflecting his view about Malaysian life and the world, are staple features in national newspapers such as ''New Straits Times'' and ''Berita Minggu''. He adapted his life experiences and published them as his autobiographies, ''The Kampung Boy'' and ''Town Boy'', telling stories of rural and urban life with subtle comparisons between the two.
Lat's style has been described as reflective of his early influences, ''The Beano'' and ''The Dandy''. He has, however, come into his own way of illustration, drawing the common man on the streets with bold strokes in pen and ink. A trademark of his Malay characters is their three-loop noses. Lat paid attention to family life and children because of his idolisation of Raja Hamzah, a senior cartoonist who was also popular in the 1960s with his comics about swashbuckling heroes. Rejabhad, a well-respected cartoonist, was Lat's mentor, and imbued the junior cartoonist with a preference to be sensitive to the subjects of his works. Lat's attention to details gained him popularity, endearing his works to the masses who find them believable and unbiased.
Aside from writing and publishing cartoons, Lat has ventured into the fields of animation, merchandising, and theme parks with his creations. His name and works are recognised internationally; foreign cartoonists, such as Matt Groening and Sergio Aragonés, admire his art, and foreign governments invite Lat to tour their countries, hoping to gain greater exposure for their countries through Lat's cartoons of his experiences in them. After 27 years of living and working in Kuala Lumpur, Lat moved back to Ipoh for a more sedate lifestyle in semi-retirement.
== Childhood and education ==

Mohammad Nor Khalid was born on 5 March 1951 in a ''kampung'' (village) in Ipoh, Perak, Malaysia. His father was a government clerk with the Malaysian Armed Forces, and his mother a housewife. Khalid was a stocky boy with a cherubic face, which led his family to nickname him ''bulat'' (round). His friends shortened it to "Lat"; it became the name by which he was more commonly known in his ''kampung'' and later in the world. Lat was the eldest child in his family, and he often played in the jungles, plantations, and tin mines with his friends. Their toys were usually improvised from everyday sundries and items of nature. Lat liked to doodle with materials provided by his parents, and his other forms of recreation were reading comics and watching television; Lat idolised local cartoonist Raja Hamzah, who was popular with his tales of swashbuckling Malay heroes. Malaysian art critic and historian Redza Piyadasa believes Lat's early years in the ''kampung'' ingrained the cartoonist with pride in his ''kampung'' roots and a "peculiarly Malay" outlook—"full of () gentleness and refinement".
Lat's formal education began at a local Malay ''kampung'' school; these institutions often taught in the vernacular and did not aspire to academic attainment. The boy changed schools several times; the nature of his father's job moved the family from one military base to another across the country, until they settled back at his birthplace in 1960. A year later, Lat passed the Special Malay Class Examination, qualifying him to attend an English medium boarding school—National Type Primary School—in the state's capital, Ipoh. His achievement helped his father make the decision to sell their ''kampung'' estate and move the family to the town; society in those days considered education at an English medium school a springboard to a good future. Lat continued his education at Anderson School, Perak's "premier non-missionary English medium school". Redza highlights Lat's move to Ipoh for higher schooling as a significant point in the cartoonist's development; the multi-racial environment helped establish his diverse friendships, which in turn broadened his cultural perspectives.
At the age of nine, Lat began to supplement his family's income through his artistic skills, by drawing comics and selling them to his friends. Four years later, in 1964, the young cartoonist achieved his first published work: a local movie magazine—''Majallah Filem''—printed his comic strips, paying him with movie tickets. Lat's first comic book publication, ''Tiga Sekawan'' (''Three Friends Catch a Thief''), was published by Sinaran Brothers that year. The company had accepted Lat's submission, mistaking him for an adult and paying him 25 Malaysian ringgits (RM) for a story about three friends who band together to catch thieves. In 1968, at the age of 17, Lat started penning ''Keluarga Si Mamat'' (''Mamats Family''), a comic strip for ''Berita Minggu'' (the Sunday edition of ''Berita Harian''). The series ran in the paper every week for 26 years. Although still a schoolboy, Lat was earning a monthly income of RM100, a large sum in those days, from his cartoons. His education finished two years later at the end of Form 5; his Third Grade in the Senior Cambridge examinations was not enough for him to advance to Form 6. Graduating with an education equivalent to that of high school, Lat started looking for a job and had his sights set on becoming an illustrator.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
ウィキペディアで「Lat」の詳細全文を読む



スポンサード リンク
翻訳と辞書 : 翻訳のためのインターネットリソース

Copyright(C) kotoba.ne.jp 1997-2016. All Rights Reserved.